The 6th edition of the art+science programme, organised by the Center for the Promotion of Science from September 23 until October 23, 2021, brings forth new and exciting artworks inspired by artificial intelligence. The art+science festival takes place in multiple locations around Belgrade – at the Museum of Science and Technology, the Gallery of Cervantes Institute, The CPN Science Club etc. A wide variety of interdisciplinary artworks is at display, which emerge from the close collaboration between artists, scientists and other creators, aiming to investigate and elaborate the most important technological issues of today. This year's art+science edition is based on the critical and creative assessment, representation and interpretation of values, systems and capacities of artificial intelligence.
Gošća šestog izdanja programa art+science Centra za promociju nauke, koje se ove jeseni odvija na više lokacija u Beogradu, biće francuska umetnica Žistin Emar. Njen boravak u Beogradu podržao je Francuski institut, a rad Co(AI)xistence posetioci mogu da vide u Muzeju nauke i tehnike do 23. oktobra. Žistin Emar je vizuelna umetnica iz Pariza. Njena dela istražuju nove veze koje se uspostavljaju između naše egzistencije i tehnologija. Kombinovanjem različitih slikovnih
Manifestacija art+science 2021, pod sloganom Svetovi veštačke inteligencije, otvorena je sinoć u Muzeju nauke i tehnike, a posetioci mogu da vide radove domaćih i stranih umetnika, kao i raznovrstan prateći program, do 23. oktobra U četvrtak, 23. septembra, u Muzeju nauke i tehnike otvorena je šesta po redu manifestacija art+science, sa veštačkom inteligencijom kao krovnom temom izložbe. Šestu godinu zaredom, Centar za promociju nauke predstavlja umetničke radove inspirisane naučnim temama i aktuelnim fokusnim
When we talk about filter bubbles or Echo Chambers, we automatically think of social media, but what will happen if we think about everything else, such as myths, our intimate stories, knowledge clusters, loneliness and personal preferences? BINEMAs are humanised AI-like systems that capture verbal and nonverbal movements in your behavior, and translate them into contemporary dance. BINEMAs, similar to algorithms, determine which content you get to see based on your interactions with them. By co-creating danceprint with BINEMAs you could contemplate the direct result of filter bubbles, such as polarisation of societies, amplification of biases, less tolerance for opposing views, more vulnerability to fake news, or just forget yourself in another art-sci content.
Journal of Artificial Intelligence Humanities (JAIH) kao centar kritičkih i kreativnih humanističkih istraživanja poziva sve zainteresovane da predaju originalne neobjavljene istraživačke radove o veštačkoj inteligenciji. JAIH je interdisciplinarni časopis koji prikuplja radove o uticajima veštačke inteligencije na ljudski život i disciplinu. Takođe, sa velikim zadovoljstvom vas obaveštavamo da je „Journal of AI Humanities” koji je objavio Institut za humanističke nauke prošao evaluaciju 2020. godine od strane Nacionalne istraživačke fondacije Koreje
Shining moment in between (a mapped projection in spatially limited circumstances) is a practical and theoretical exploration of the change in perception of space and environment through the use of digital technology. Focus is on creating audio-visual sequences made out of digitized archive material, animation, and reproduction of videos in real time. Through determined goals, the focus of the project is on the impact of the mapped projection as a particular work of socially engaged art on the public space.
Semeion is an ever-evolving light and sound installation exploring Artificial Intelligence from an aesthetic and humanistic point of view. The installation consists of several large minimalist structures that individually and collectively respond to human presence. As such, it invites viewers to move around the installation to engage in a bodily conversation with artificially intelligent ‘beings’ of light and sound. Over time, the expression of these beings change based on their experience with humans, as a neural network is trained to explore what humans respond well to.
It all started with a first flush, or some would say, before the actual flush. A small miscellaneous moment and lack of attention. And so the Fatberg was born from the depths of human ignorance in the depth of the sewer pipe.
Human Study#1 is an installation where the human becomes an actor. In a scene reminiscent of a life drawing class, the human takes the sitter’s role to be sketched by a robot. The robot, a stylised minimal artist, is only capable of drawing obsessively. Its body is old school desks on which the drawing paper is pinned.
Anatomy of an AI System is a large-scale map and long-form essay investigating the human labor, data, and planetary resources required to build and operate an Amazon Echo. The exploded view diagram combines and visualises three central, extractive processes that are required to run a large-scale artificial intelligence system: material resources, human labor and data. The map and essay consider these three elements across time — represented as a visual description of the birth, life and death of a single Amazon Echo unit.
Casper’s Ex is a lonely smartphone that’s been left behind and is trying to connect with you while you are passing by, eager to tell its side of the story. Casper’s Ex is a playful interactive installation on the relationship between human beings and everyday technology. More specifically, this installation is about the relationship between our smartphones and ourselves. We feel attached to our devices, but as soon as a newer and better model crosses our path, we trade them in without remorse. A single ‘I really liked that phone’s layout’ will be heard, and we move on even though we committed to them for a couple of years. The phone, however, cannot move on. Your data, your scent, and your picture is all they have left. It will probably wait in a drawer for you to ever come back and will get very, very lonely.
The International Conference on Artificial Intelligence Humanities(ICAIH) is a part of the program at the Institute at Chung-ang University, Korea. The Humanities Research Institute is holding its 4th International Conference on Artificial Intelligence Humanities(ICAIH 2021) online on October 2, 2021 (Saturday). This international conference is organized with the presentations of about 27 scholars from 10 countries including keynote speeches of Toru Ishida(Waseda Univ., Japan) and Toby Walsh(UNSW, Australia). It is expected that there will