Centar je svoje aktivnosti posvećene kreativnom i kritičkom sagledavanju veštačke inteligencije predstavio 6. jula 2022. na vebinaru Matematičkog instituta SANU. Na poziv kolega iz Matematičkog instituta Srpske akademije nauka i umetnosti, Dobrivoje Lale Erić, selektor programa art+science, predstavio je projekte, segmente programa i izložbene celine, koji su bila posvećeni temi veštačke inteligencije, kao super-tehnologije bez presedana u ljudskoj istoriji. Posebno su izdvojeni prethodno, šesto izdanje manifestacije art+science koje je, pod
Category: mathematics
Since the inception of the art+science programme, the focal point of each exhibition has been reserved for the winning artworks of the national art+science selection. These works have been developed under the CPN’s guidance and produced with the support of European projects in which CPN participates. The starting point of the process are the applications of artists from Serbia submitted for global calls of given projects. From around 60 applications from Serbia have been submitted so far, 7 original concepts that have been selected and realised through this selection.
Evropski projekat ARETE poziva nastavnike matematike i geografije iz Srbije da se uključe u obuke i pilot istraživanja posvećena upotrebi interaktivnih tehnologija i proširene realnosti u nastavi. Cilj projekta je da se nastavnicima i učenicima omogući da prvi testiraju najmoderniju AR tehnologiju za učenje STEM veština u okviru osnovnoškolskih programa, kao i da se poveća interes učenika za STEM predmete. Više informacija o pozivu i procedurama mogu se naći na adresi: link
Digital Prayer is an award winning project of the art+science AI Lab national selection for 2020; it is realised in collaboration with the Mathematical Institute of the Serbian Academy of Sciences and Arts, under the mentorship of Dr Miloš Milovanović. What is presented here is an art & science concept dealing with the application of one of computer vision methods aiming at generating an image, whose visual product resembles an Orthodox icon. Generating pixels through the use of machine learning techniques, a relation has been established between the canonical structure
Kristina’s intent to demystify artificial intelligence brings us a step closer to the mysticism of the Ortodox icon. Applying a statistical method to numerous variegated rules which make her choose side, she asserts that Ortodox icon cannot be reduced to them by any means. In fact, they represent particular iconography which calls for creative interpretation. The relationship of the original and a copy, crucially emphasised in regard to statistical multiplication, corresponds to the increase of causal necessity, which then leads to the decrease of complexity and collapse of original creativity. Inspiration