Pored njega, u razgovoru su u\u010destvovali i\u00a0Nenad Milovanovi\u0107<\/strong>\u00a0(astrofizi\u010dar, Astronomska opservatorija),\u00a0Majda Smole<\/strong>\u00a0(astrofizi\u010darka, Astronomska opservatorija),\u00a0umetnici Katarina Petrovi\u0107 <\/strong>i Hrvoje Hir\u0161l<\/strong>, a razgovor je moderirao\u00a0Vladimir Bjeli\u010di\u0107<\/strong>\u00a0(kustos, Kulturni centar Beograda). Vo\u0111a ture kroz kompleks Astronomske opservatorije bila je\u00a0Vesna Mijatovi\u0107<\/strong>\u00a0(kustoskinja, Astronomska opservatorija).\u00a0<\/p>\n\n\n\n Nakon razgovora o eksperimentalnim umetni\u010dkim praksama na me\u0111i nauke i umetnosti, u zgradi Velikog refraktora Astronomske opservatorije u Beogradu izvedeni su performansi Katarine Petrovi\u0107 i Hrvoja Hir\u0161la.<\/p>\n\n\n\n Izlo\u017eba Ogledi o nuli <\/em>u Galeriji Podroom KCB-a i prate\u0107i program realizuju se uz podr\u0161ku Kulturnog centra Beograda, Ministarstva Kulture Republike Srbije, Mangelos nagrade, Astronomske opservatorije Beograd i Centra za promociju nauke \u2013 platforme\u00a0art+science<\/em>\u00a0Centra za promociju nauke u okviru projekta Programa Kreativna Evropa \u2013 EU Digital Deal<\/em>.<\/p>","protected":false},"excerpt":{"rendered":" U okviru izlo\u017ebe Ogledi o nuli autorke Katarine Petrovi\u0107, 1. jula odr\u017ean je prate\u0107i program „Na pragu nevidljivog“, u Astronomskoj opservatoriji na Zvezdari. U ovom zanimljivom ambijentu organizovan je razgovor o praksama u oblasti prepleta umetnosti i nauke, koji predstavlja novo polje zajedni\u010dkih propitivanja i kolaboracija umetnika i nau\u010dnika. Kao predstavnik institucije koja ve\u0107 sedam […]<\/p>","protected":false},"author":1,"featured_media":2154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as-2023"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2023\/10\/tocka.jpg","author_info":{"display_name":"Branislav","author_link":"https:\/\/artandscience.rs\/en\/author\/branislav\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=2151"}],"version-history":[{"count":1,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2151\/revisions"}],"predecessor-version":[{"id":2153,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2151\/revisions\/2153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/2154"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=2151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=2151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=2151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/artandscience.rs\/novi\/wp-content\/uploads\/2023\/10\/petric-1024x683.jpg\")
<\/figure>\n\n\n\n