On Saturday, October 28, at 1 p.m., a panel discussion was held in the Artget gallery of the Cultural Center of Belgrade as part of the exhibition Possibilities of the Landscape of the Center for the Promotion of Science: Does the Land Suffer: Landscapes of Serbia between Different Concepts of Development and Social Welfare.<\/p>\n\n\n\n
Participants: Ratko Risti\u0107, professor of the Faculty of Forestry, Zoran Eri\u0107, art historian, Andreja Tutund\u017ei\u0107, landscape architect. Moderated by: Suzana Gavrilovi\u0107 and Milena Putnik. The forest from Pe\u0161ter also had its voice in this conversation, as we were listening to fragments of the work Rain Falls Differently by Du\u0161ica Dra\u017ei\u0107, Mirjana Dragosavljevi\u0107 and Tanja \u0160ljivar.<\/p>\n\n\n\n
The extensive alterations to the landscape and the utilitarian exploitation of the environment as a resource reservoir are consistently rationalized by their purported alignment with societal needs and their integral role in overarching development plans. Presently, in Serbia, the repercussions of this approach, prompted by shifts in the social system, have manifested in the formation of disrupted landscapes. As we reflect upon the outcomes of past initiatives, it is opportune to scrutinize the presumed societal needs to date and seek a more nuanced perspective.<\/p>","protected":false},"excerpt":{"rendered":"
U subotu, 28. oktobra, u 13 \u010dasova, u galeriji Artget Kulturnog centra Beograda odr\u017eava se panel-diskusija u okviru izlo\u017ebe Mogu\u0107nosti predela Centra za promociju nauke: Zemlja da (li) trpi: Predeli Srbije izme\u0111u razli\u010ditih koncepcija razvoja i dru\u0161tvene dobrobiti U\u010destvuju: Ratko Risti\u0107, profesor \u0160umarskog fakulteta, Zoran Eri\u0107, istori\u010dar umetnosti, Andreja Tutund\u017ei\u0107, pejza\u017eni arhitekta. Moderiraju: Suzana Gavrilovi\u0107 i Milena Putnik. Svoj glas […]<\/p>","protected":false},"author":1,"featured_media":2345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as-2023"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2023\/11\/kolubara.jpg","author_info":{"display_name":"Branislav","author_link":"https:\/\/artandscience.rs\/en\/author\/branislav\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=2344"}],"version-history":[{"count":1,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2344\/revisions"}],"predecessor-version":[{"id":2346,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/2344\/revisions\/2346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/2345"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=2344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=2344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=2344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}