Raw Reverberation represents a harmonious fusion of science and art, where cutting-edge technologies are wielded not merely as tools but as mediums of artistic expression. The installation, focusing on interspecies communication, harnesses plant biofeedback to create a dynamic and interactive audiovisual experience that invites viewers to perceive and engage with the hidden rhythms of the natural world. By leveraging the bio-responsive and data gathering properties of plants, Raw Reverberation sheds light on the active role plants play in their ecosystems fostering a deeper connection between humans and the natural world. It invites viewers into an interactive dialogue with the living world, revealing the hidden symphonies of plant life and fostering a deeper appreciation for the intricate, interconnected web of existence.<\/p>\n\n\n\n
Biography
\nSanja \u0160ikoparija (Belgrade, 1986) is a Canadian and Serbian futures artist at the crossroads of life sciences, environment, and technology. Sanja creates immersive audio-visual installations that explore the transects between biology, data, and art in order to enact individual and societal change. Her widely exhibited work features rarely seen, intimate, interactions that question sustainability, development, loci of motivation, and anthropocentric relationships.<\/p>\n\n\n\n
Collaborators
\nPoletLED Serbia is graciously collaborating with Sanja \u0160ikoparija by providing LED equipment to create a truly immersive experience.<\/p>","protected":false},"excerpt":{"rendered":"
Prirodna rezonanca donosi harmoni\u010dan spoj nauke i umetnosti, gde se savremene tehnologije koriste ne samo kao alati ve\u0107 kao sredstva umetni\u010dkog izraza. Instalacija se fokusira na komunikaciju izme\u0111u vrsta, koriste\u0107i biolo\u0161ku reakciju biljaka, kako bi stvorila dinami\u010dno i interaktivno audiovizuelno iskustvo koje poziva posmatra\u010de da percipiraju i komuniciraju sa skrivenim ritmovima prirodnog sveta. Kori\u0161\u0107enjem bio-responzivnosti […]<\/p>","protected":false},"author":2,"featured_media":3639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[347],"tags":[],"class_list":["post-3635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as2024"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/Cover-Photo-Option-2.png","author_info":{"display_name":"Vladimir","author_link":"https:\/\/artandscience.rs\/en\/author\/vladimir\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=3635"}],"version-history":[{"count":2,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3635\/revisions"}],"predecessor-version":[{"id":3818,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3635\/revisions\/3818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/3639"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=3635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=3635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=3635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}