{"id":3670,"date":"2024-09-19T09:32:00","date_gmt":"2024-09-19T09:32:00","guid":{"rendered":"https:\/\/artandscience.rs\/?p=3670"},"modified":"2024-09-20T17:42:20","modified_gmt":"2024-09-20T17:42:20","slug":"basta-zvuka-zvukozbun","status":"publish","type":"post","link":"https:\/\/artandscience.rs\/en\/3670\/","title":{"rendered":"The Garden of Sound - Zvuko\u017ebun"},"content":{"rendered":"

The Garden of Sound is a collection of sound and audio-visual installations that connect radiophonic art and botany, exploring the relationships between humans, plants, animals, and machines.<\/p>\n\n\n\n

Using primarily the language of experimental sound and leaving verbal and rational elements aside, the works delve into spaces beyond human hearing, hidden or overlooked. Living organisms and inanimate nature are explored within the inaudible spectrum, with connections formed at the level of intuition, emotion, and imagination. In an attempt to momentarily shift humans from their dominant position in the Anthropocene and place them in an equal stance with the living world surrounding them, technology is used to bring them into a sonic symbiosis with other species.<\/p>\n\n\n\n

ZVUKO\u017dBUN<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The central piece, Zvuko\u017ebun, is an interactive radio play that layers and reinterprets the soundscape of the garden, creating a collective sonic portrait of its inhabitants\u2014plants, animals, humans, and even machines. Delving deep into the inaudible parts of the spectrum, where bats reside and perhaps other yet-to-be-discovered beings, the work invites the listener to merge their perception with the mediated stimuli of the garden and open a new playful space within themselves.
\nComposed from recordings made in the Jevremovac Botanical Garden, utilizing temporal sound manipulation, and featuring an original composition by Jakov Muni\u017eaba performed on the EMS Synthi 100 in the Electronic Studio of Radio Belgrade, this work reveals previously inaccessible sonic spaces of the garden.<\/p>\n\n\n\n

Krediti\/Credits:<\/p>\n\n\n\n

Authors: Marija Stojni\u0107 i Jakov Muni\u017eaba
\nCreative and technical support: Karkatag collective

Voices: Tomica Mi\u0161ljenovi\u0107, Olivera Popovi\u0107, Maja Petrovi\u0107, Mira Fi\u0161kalovi\u0107, Bojana Jadranin, moorhens, bats, bees, crows, and other creatures from the Garden.<\/p>\n\n\n\n

Biographies:<\/p>\n\n\n\n

Marija Stojni\u0107 (Valjevo, 1986) directs films that blend documentary and experimental artistic forms. Her award-winning film Speak So I Can See You has screened at MoMA, and festivals in Amsterdam, Thessaloniki, Melbourne, and Munich. Marija earned her master\u2019s degree from The New School in 2014. She is a co-founder of the vocal group Rosa.<\/p>\n\n\n\n

Jakov Muni\u017eaba (Belgrade, 1982) has designed sound for over one hundred films, many of which have been screened at festivals such as Cannes, Venice, Berlin, and Sundance. He has directed radio dramas, composed film music, and is teaching sound as s professor in Belgrade and Podgorica. He earned his PhD at the Faculty of Dramatic Arts, the University of Arts in Belgrade, in 2019. He is a regular collaborator of Radio Belgrade's Electronic Studio.<\/p>\n\n\n\n

Creative-technical support: Karkatag<\/strong><\/p>\n\n\n\n

Acknowledgments: Radio Belgrade, Jeveremovac Botanical Garden<\/p>","protected":false},"excerpt":{"rendered":"

Ba\u0161ta zvuka je kolekcija zvu\u010dnih i audiovizuelnih instalacija koje povezuju radiofoniju i botaniku, istra\u017euju\u0107i odnose izme\u0111u ljudi, biljaka, \u017eivotinja i ma\u0161ina. Koriste\u0107i se prvenstveno jezikom eksperimentalnog zvuka, ostavljaju\u0107i verbalno i racionalno po strani, radovi prodiru u prostore van ljudske \u010dujnosti, skrivene ili zanemarene. \u017divi organizmi i mrtva priroda istra\u017euju se u spektru ne\u010dujnog, a poveznice […]<\/p>","protected":false},"author":2,"featured_media":3672,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[347],"tags":[],"class_list":["post-3670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as2024"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/bam1.jpg","author_info":{"display_name":"Vladimir","author_link":"https:\/\/artandscience.rs\/en\/author\/vladimir\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=3670"}],"version-history":[{"count":4,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3670\/revisions"}],"predecessor-version":[{"id":3727,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3670\/revisions\/3727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/3672"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=3670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=3670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=3670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}