{"id":3674,"date":"2024-09-19T09:38:29","date_gmt":"2024-09-19T09:38:29","guid":{"rendered":"https:\/\/artandscience.rs\/?p=3674"},"modified":"2024-09-20T17:39:06","modified_gmt":"2024-09-20T17:39:06","slug":"basta-zvuka-slusajuce-oko","status":"publish","type":"post","link":"https:\/\/artandscience.rs\/en\/3674\/","title":{"rendered":"The Garden of Sound - The Listening Eye"},"content":{"rendered":"

The Garden of Sound is a collection of sound and audio-visual installations that connect radiophonic art and botany, exploring the relationships between humans, plants, animals, and machines.<\/p>\n\n\n\n

Using primarily the language of experimental sound and leaving verbal and rational elements aside, the works delve into spaces beyond human hearing, hidden or overlooked. Living organisms and inanimate nature are explored within the inaudible spectrum, with connections formed at the level of intuition, emotion, and imagination. In an attempt to momentarily shift humans from their dominant position in the Anthropocene and place them in an equal stance with the living world surrounding them, technology is used to bring them into a sonic symbiosis with other species.<\/p>\n\n\n\n

The Listening Eye<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Playing with the spatiality of sound and the concept of scale, The Listening Eye peers into the hidden corners of Radio Belgrade, relocating them from the monumental building to the unexpected environment of the Garden. Through the symbiosis of organic and inorganic, details of buttons, mixers, microphones, and cables that create the garden of sound are revealed in an impossible space. The installation incorporates footage from Marija Stojni\u0107's 2019 film, Speak So I Can See You, which explores the soundscapes of Radio Belgrade, intertwined with Svetlana Mara\u0161's radiophonic work Language.<\/p>\n\n\n\n

Director and writer: Marija Stojni\u0107<\/p>\n\n\n\n

Producers: Marija Stojni\u0107 i Milo\u0161 Ivanovi\u0107<\/p>\n\n\n\n

DoP: Du\u0161an Grubin<\/p>\n\n\n\n

Radiophonic piece: \u201cJezik\u201d, Svetlana Mara\u0161<\/p>\n\n\n\n

Biographies:<\/p>\n\n\n\n

Marija Stojni\u0107 (Valjevo, 1986) is a film director that blends documentary and experimental artistic forms. Her award-winning film Speak So I Can See You has been screened at MoMA, as well as at the festivals in Amsterdam, Thessaloniki, Melbourne, and Munich. Marija earned her master\u2019s degree from The New School in 2014. She is a co-founder of the vocal group Rosa.<\/p>\n\n\n\n

Jakov Muni\u017eaba (Belgrade, 1982) has designed sound for over one hundred films, many of which have been screened at festivals such as Cannes, Venice, Berlin, and Sundance. He has directed radio dramas, composed film music, and is teaching sound as s professor in Belgrade and Podgorica. He earned his PhD at the Faculty of Dramatic Arts, the University of Arts in Belgrade, in 2019. He is a regular collaborator of Radio Belgrade's Electronic Studio.<\/p>\n\n\n\n

Creative\/Technical support: Karkatag<\/strong><\/p>\n\n\n\n

Acknowledgments: Radio Belgrade, Jeveremovac Botanical Garden<\/p>","protected":false},"excerpt":{"rendered":"

Ba\u0161ta zvuka je kolekcija zvu\u010dnih i audiovizuelnih instalacija koje povezuju radiofoniju i botaniku, istra\u017euju\u0107i odnose izme\u0111u ljudi, biljaka, \u017eivotinja i ma\u0161ina. Koriste\u0107i se prvenstveno jezikom eksperimentalnog zvuka, ostavljaju\u0107i verbalno i racionalno po strani, radovi prodiru u prostore van ljudske \u010dujnosti, skrivene ili zanemarene. \u017divi organizmi i mrtva priroda istra\u017euju se u spektru ne\u010dujnog, a poveznice […]<\/p>","protected":false},"author":2,"featured_media":3675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[347],"tags":[],"class_list":["post-3674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as2024"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/sas202.jpeg","author_info":{"display_name":"Vladimir","author_link":"https:\/\/artandscience.rs\/en\/author\/vladimir\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=3674"}],"version-history":[{"count":4,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3674\/revisions"}],"predecessor-version":[{"id":3726,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3674\/revisions\/3726"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/3675"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=3674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=3674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=3674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}