{"id":3678,"date":"2024-09-19T09:44:09","date_gmt":"2024-09-19T09:44:09","guid":{"rendered":"https:\/\/artandscience.rs\/?p=3678"},"modified":"2024-09-23T16:22:31","modified_gmt":"2024-09-23T16:22:31","slug":"basta-zvuka-aleja-radija","status":"publish","type":"post","link":"https:\/\/artandscience.rs\/en\/3678\/","title":{"rendered":"The Garden of Sound - Alley of the Radio"},"content":{"rendered":"<p>The Garden of Sound is a collection of sound and audio-visual installations that connect radiophonic art and botany, exploring the relationships between humans, plants, animals, and machines.<\/p>\n\n\n\n<p>Using primarily the language of experimental sound and leaving verbal and rational elements aside, the works delve into spaces beyond human hearing, hidden or overlooked. Living organisms and inanimate nature are explored within the inaudible spectrum, with connections formed at the level of intuition, emotion, and imagination. In an attempt to momentarily shift humans from their dominant position in the Anthropocene and place them in an equal stance with the living world surrounding them, technology is used to bring them into a sonic symbiosis with other species.<\/p>\n\n\n\n<p><strong>Alley of the Radio<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-1024x576.jpg\" alt=\"\" class=\"wp-image-3671\" srcset=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-1024x576.jpg 1024w, https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-300x169.jpg 300w, https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-768x432.jpg 768w, https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-1536x864.jpg 1536w, https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4-18x10.jpg 18w, https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/foto-4.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Using archival recordings from Radio Belgrade and experimental radio works predominantly created in the Electronic Studio of Radio Belgrade and as part of the radio series Radionica Zvuka this sound installation, across two points, presents fragments of memory from the history of Jevremovac, botanical curiosities, as well as insights into the everyday experiences of the garden's employees. In parallel, employing the free, non-verbal language of ars-acoustica works, the second point opens a space for the interpretation of nature and the urban environments that coexist with it, without the need for explanation, classification, or conclusion. The installation is inspired by the anniversaries of the Jevremovac Botanical Garden and Radio Belgrade, which are celebrated in 2024.<\/p>\n\n\n\n<p><br>Radiophonic and electroacoustic works (in order of appearance):<br><strong>Nokturno, author: Ludmila Frajt, 1975<br>Habitat, author: Svetlana Mara\u0161, 2016<br>Ko\u0161mar jednog drveta, author: Aleksandar Proti\u0107, 2001<br>Rituali u preobra\u017eenom vremenu, authors: Manja Risti\u0107 and Marko Paunovi\u0107, 2024<br>Microhabitat, author: Paul Pignon, 1974<\/strong><br><br>Voices from the Jevremovac Botanical Garden: <strong>Tomica Mi\u0161ljenovi\u0107, Olivera Popovi\u0107, Maja Petrovi\u0107, Mira Fi\u0161kalovi\u0107, Bojana Jadranin<\/strong><\/p>\n\n\n\n<p class=\"translation-block\">Thank you: Milan Nedi\u0107, Sa\u0161a Kova\u010devi\u0107, Ksenija Stevanovi\u0107, Olivera Nu\u0161i\u0107, Ranko Stojilovi\u0107, Ivana Neimarevi\u0107, \u0110or\u0111e Brki\u0107, Hristina Medi\u0107<\/p>\n\n\n\n<p>Biographies:<\/p>\n\n\n\n<p class=\"translation-block\">Marija Stojni\u0107 (Valjevo, 1986) directs films that blend documentary and experimental artistic forms. Her award-winning film Speak So I Can See You has screened at MoMA, and festivals in Amsterdam, Thessaloniki, Melbourne, and Munich. Marija earned her master\u2019s degree from The New School in 2014. She is a co-founder of the vocal group Rosa.<\/p>\n\n\n\n<p class=\"translation-block\">Jakov Muni\u017eaba (Belgrade, 1982) has designed sound for over one hundred films, many of which have been screened at festivals such as Cannes, Venice, Berlin, and Sundance. He has directed radio dramas, composed film music, and is teaching sound as s professor in Belgrade and Podgorica. He earned his PhD at the Faculty of Dramatic Arts, the University of Arts in Belgrade, in 2019. He is a regular collaborator of Radio Belgrade's Electronic Studio.<\/p>\n\n\n\n<p>Creative-technical support: <strong>Karkatag<\/strong><\/p>\n\n\n\n<p class=\"translation-block\">Acknowledgments: Radio Belgrade, Jeveremovac Botanical Garden<\/p>\n\n\n\n<p id=\"m_3339118734999201439m_-5292522605931697255m_-7366866344595609005gmail-docs-internal-guid-a6bf094b-7fff-c0f0-8ebd-848455a31d16\">Segments from the broadcasts and voice archive of Radio Belgrade:<br>Guest of the Radio Belgrade 2 (author: Milo\u0161 Jevti\u0107 in conversation with Mladen Josifovi\u0107)<br>Kod dva bela goluba (editor: Milosavljevi\u0107 Milja, memory of Dr. Sava Petrovi\u0107)<br>Solaris (author: Sr\u0111a Jankovi\u0107, spoken by Prof. Dr. Radi\u0161a Jan\u010di\u0107, Ivan Umelji\u0107)<br>Ho\u0107u da znam (author: Tomica Mi\u0161ljenovi\u0107, memory of Prof. Dr. Slobodan Jovanovi\u0107)<br>Dete je otac \u010doveka (spoken by Vesna Vasi\u0107 Vuj\u010di\u0107)<\/p>","protected":false},"excerpt":{"rendered":"<p>Ba\u0161ta zvuka je kolekcija zvu\u010dnih i audiovizuelnih instalacija koje povezuju radiofoniju i botaniku, istra\u017euju\u0107i odnose izme\u0111u ljudi, biljaka, \u017eivotinja i ma\u0161ina. Koriste\u0107i se prvenstveno jezikom eksperimentalnog zvuka, ostavljaju\u0107i verbalno i racionalno po strani, radovi prodiru u prostore van ljudske \u010dujnosti, skrivene ili zanemarene. \u017divi organizmi i mrtva priroda istra\u017euju se u spektru ne\u010dujnog, a poveznice [&hellip;]<\/p>","protected":false},"author":2,"featured_media":3679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[347],"tags":[],"class_list":["post-3678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as2024"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2024\/09\/egz10.jpeg","author_info":{"display_name":"Vladimir","author_link":"https:\/\/artandscience.rs\/en\/author\/vladimir\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=3678"}],"version-history":[{"count":4,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3678\/revisions"}],"predecessor-version":[{"id":3752,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/3678\/revisions\/3752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/3679"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=3678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=3678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=3678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}