{"id":4111,"date":"2019-11-14T13:25:00","date_gmt":"2019-11-14T13:25:00","guid":{"rendered":"https:\/\/artandscience.rs\/?p=4111"},"modified":"2025-01-28T13:36:23","modified_gmt":"2025-01-28T13:36:23","slug":"slike-mozga-2","status":"publish","type":"post","link":"https:\/\/artandscience.rs\/en\/4111\/","title":{"rendered":"Slike mozga"},"content":{"rendered":"<p><strong>Autor: <\/strong>\u017darko Aleksi\u0107<\/p>\n\n\n\n<p>Umetnost kao dinami\u010dni patern aktivacije odre\u0111enih nervnih mre\u017ea<\/p>\n\n\n\n<p>\u201ePoslednjih pet godina, intenzivno sam se bavio istra\u017eivanjima u okviru polja kognitivnih nauka, kao i odnosa kognitivnih nauka i umetnosti. Tokom tog perioda realizovao sam nekoliko projekata, od kojih sam u projektu \u201eStanja uma\u201c ispitivao kako iskustvo oblikuje na\u0161 identitet kroz neuroplasti\u010dnost i epizodi\u010dno, semanti\u010dko i proceduralno se\u0107anje (konstrukcija autobiografskog ja, Ja kod Antonija Damazija) koriste\u0107i metodologiju video-dnevnika Jonasa Mekasa i D\u017eojsovog toka svesti.\u201c<\/p>\n\n\n\n<p>\u201eSlike mozga\u201c su multidisciplinarni istra\u017eiva\u010dki projekat \u017darka Aleksi\u0107a, koji povezuje nau\u010dne metodologije sa umetni\u010dkom praksom, u isto vreme konstrui\u0161u\u0107i kontekst za pomeranje pojma o umetni\u010dkoj produkciji, umetni\u010dkom objektu i umetni\u010dkom posmatranju ka jednom novom ideolo\u0161kom okviru zasnovanom na ispitivanjima u okviru kognitivnih nauka. Ontolo\u0161ka promena mogla bi da se trasira preko \u010dinjenice da je umetni\u010dko delo odre\u0111ena aktivacija paterna nervnih mre\u017ea koja mo\u017ee da se aktivira eksternim, internim (ili i jednim i drugim) stimulansima. Ovakvo razumevanje umetnosti, u kom posmatra\u010d igra klju\u010dnu ulogu, vodi dalje do seta ontolo\u0161kih, epistemolo\u0161kih, sociolo\u0161kih, politi\u010dkih i ekonomskih implikacija.<br>Druga va\u017ena pitanja koja ova izlo\u017eba postavlja su eti\u010dke prirode i povezana su sa upotrebom tehnologije, interfejsom izme\u0111u mozga i ma\u0161ine i mogu\u0107no\u0161\u0107u nadgledanja misli drugih ljudi, \u010dime se ugro\u017eava njihova privatnost. Umetni\u010dku praksu \u017darka Aleksi\u0107a \u010dini duplo istra\u017eivanje mozga \u2013 prvo, nau\u010dno: takozvana perspektiva tre\u0107eg lica, i drugo, subjektivisti\u010dko-poetsko: ta\u010dka gledi\u0161ta prvog lica. Filozofski koncept intencionalnosti (termin se odnosi na sposobnost uma da kreira predstave i ne sme se pome\u0161ati sa intencijom) tako\u0111e igra va\u017enu ulogu. Druga sli\u010dna klasifikacija u vezi je sa strukturom nervne aktivnosti i pojavama koje iz nje nastaju.<br>Skener snimci mozga autora rada za ispitivanja, funkcionalna magnetna rezonancija je ra\u0111ena u Frankfurtu, a transkranijalna magnetna stimulacija u Be\u010du.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-3-1024x682-1.jpeg\" alt=\"\" class=\"wp-image-4114\" srcset=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-3-1024x682-1.jpeg 1024w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-3-1024x682-1-300x200.jpeg 300w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-3-1024x682-1-768x512.jpeg 768w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-3-1024x682-1-18x12.jpeg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-src=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-4-1024x682-1.jpeg\" alt=\"\" class=\"wp-image-4115 lazyload\" data-srcset=\"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-4-1024x682-1.jpeg 1024w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-4-1024x682-1-300x200.jpeg 300w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-4-1024x682-1-768x512.jpeg 768w, https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-4-1024x682-1-18x12.jpeg 18w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><\/figure>\n\n\n\n<p><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">http:\/\/www.zarkoaleksic.com<\/mark><\/em><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Autor: \u017darko Aleksi\u0107 Umetnost kao dinami\u010dni patern aktivacije odre\u0111enih nervnih mre\u017ea \u201ePoslednjih pet godina, intenzivno sam se bavio istra\u017eivanjima u okviru polja kognitivnih nauka, kao i odnosa kognitivnih nauka i umetnosti. Tokom tog perioda realizovao sam nekoliko projekata, od kojih sam u projektu \u201eStanja uma\u201c ispitivao kako iskustvo oblikuje na\u0161 identitet kroz neuroplasti\u010dnost i epizodi\u010dno, [&hellip;]<\/p>","protected":false},"author":4,"featured_media":4112,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26,20],"tags":[],"class_list":["post-4111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as-2019","category-neuronauke"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/01\/Zarko-1.jpeg","author_info":{"display_name":"Ivana Smolovic","author_link":"https:\/\/artandscience.rs\/en\/author\/ismolovic\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=4111"}],"version-history":[{"count":2,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4111\/revisions"}],"predecessor-version":[{"id":4120,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4111\/revisions\/4120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/4112"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=4111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=4111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=4111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}