{"id":4905,"date":"2025-09-29T10:03:31","date_gmt":"2025-09-29T10:03:31","guid":{"rendered":"https:\/\/artandscience.rs\/?p=4905"},"modified":"2025-09-29T10:03:33","modified_gmt":"2025-09-29T10:03:33","slug":"stratum","status":"publish","type":"post","link":"https:\/\/artandscience.rs\/en\/4905\/","title":{"rendered":"Stratum"},"content":{"rendered":"<p><em><strong>Author: Silvia Binda Heiserova (SK)<\/strong><\/em><br><em>Multimedia installation<\/em><\/p>\n\n\n\n<p class=\"translation-block\">Stratum is an electronic sculpture referencing the design of an antenna tower used for receiving data from satellites. This critical interface points to the imposed paradigm of a unique synchronized time, retrieved from atomic-clock-carrying satellites orbiting around the Earth. It reflects on the question of what determines our temporal reality when we passively rely on standardised technologies of time measurement and distribution. This speculative artwork employs various types of GPS antennas and receiver modules, connected to microcomputers, displays, electromagnetic microphones and speakers, to reveal those aspects of time infrastructure that usually are invisible or hidden.<\/p>\n\n\n\n<p class=\"translation-block\">In computer science, the term \u2018stratum\u2019 refers to the level of the Network Time Protocol (NTP) hierarchy (Stratum 0, 1, 2, etc.). Unlike the official strata, which form a chain of synchronised time originating from atomic clocks, the Stratum artwork imagines a layer that operates outside the hierarchy \u2014 not to distribute time, but to receive, interpret and transform it. By splitting the time signal into parallel modalities such as raw data, sonification and visual representations, the Stratum sculpture renders time as an aesthetic material. It does not synchronise but listens. It does not distribute but reflects.<\/p>\n\n\n\n<p class=\"translation-block\">Silvia Binda Heiserova is a multimedia artist, researcher and creative coder. Her multidisciplinary artistic practice explores power relations in the digital era from a gender perspective. She is the founder of offDAC, a platform for researching the intersection of feminism, art and technology.<\/p>\n\n\n\n<p><strong>CREDITS<\/strong><br>Artwork created during the European Digital Deal Residency hosted by Pro Progressione, Budapest, Hungary.<br>Co-funded by the Creative Europe Programme of the European Union<\/p>\n\n\n\n<p>Web: silviabinda.com<br>Instagram: instagram.com\/silvia_binda_heiserova<br>Mastodon: tldr.nettime.org\/@silviabinda<\/p>","protected":false},"excerpt":{"rendered":"<p>Autor: Silvjia Binda Hejserova (SLK)Multimedijalna instalacija Stratum je elektronska skulptura koja podse\u0107a na dizajn antenskog tornja namenjenog prijemu podataka sa satelita. Ovaj kriti\u010dki interfejs ukazuje na nametnutu paradigmu jedinstvenog sinhronizovanog vremena, dobijenog sa satelita u Zemljinoj orbiti koji nose atomske \u010dasovnike. Rad promi\u0161lja pitanje \u0161ta odre\u0111uje na\u0161u vremensku realnost kada se pasivno oslanjamo na standardizovane [&hellip;]<\/p>","protected":false},"author":4,"featured_media":4947,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[349],"tags":[],"class_list":["post-4905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-as2025"],"acf":[],"featured_image_src":"https:\/\/artandscience.rs\/wp-content\/uploads\/2025\/09\/Stratum@Julian_Fallas-scaled.jpg","author_info":{"display_name":"Ivana Smolovic","author_link":"https:\/\/artandscience.rs\/en\/author\/ismolovic\/"},"_links":{"self":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/comments?post=4905"}],"version-history":[{"count":4,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4905\/revisions"}],"predecessor-version":[{"id":4948,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/posts\/4905\/revisions\/4948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media\/4947"}],"wp:attachment":[{"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/media?parent=4905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/categories?post=4905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artandscience.rs\/en\/wp-json\/wp\/v2\/tags?post=4905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}